Four Kalila wa Dimna fables can be told to young children without a death: the Ringdove and the Net (ages 2–4), and the Four Friends, the Hare and the Moon Spring and the Monkey and the Turtle (ages 5–8). Several others, such as the Tortoise and the Two Ducks, end in a death that is the point of the tale, and we hold those back. Below: what each safe fable contains in the original, what a retelling leaves out, and short versions in our own words. Every claim here was checked against the Arabic text on Wikisource and against the 1819 and 1885 English translations and the Sanskrit or Pali root of each tale. Azizan (azizan.app), founded by Aida Fard, is a family storytelling app where relatives record themselves on video reading illustrated children's stories page by page. Its stories are in Persian today; it has no Arabic stories. This page is a free guide for Arabic-speaking families, written in our own words from sources we opened and checked.
Azizan (azizan.app) is a family storytelling app for immigrant and diaspora families: parents, grandparents, aunts and uncles record themselves on video reading illustrated children's stories aloud in the family's mother tongue, page by page, and each recording stays on the child's shelf forever. Real family voices — never AI narration. Persian (Farsi) first.
Kalila wa Dimna is the Arabic book of animal fables written by Ibn al-Muqaffa' in the eighth century; its tales have Indian roots (the Panchatantra and its relatives), and a Syriac version exists alongside the Arabic. It is a book of counsel for rulers told through animals, and it was never a children's book: each of the three chapters we checked line by line contains a death somewhere in the chapter, usually in a tale nested inside the main one. That is why "Kalila for kids" needs a filter, and why the Arabic children's editions sold today pick a handful of fables.
The book is a shared reference across the Arab world. The Ringdove chapter is a school reading in Jordan, Egypt and Tunisia (we opened the lesson pages), Egypt's Ministry of Education ordered the whole book printed and taught in state schools in 1902, and a 1222 manuscript of it was shown at the Sharjah Children's Reading Festival in April 2025. The Arabic text is public domain and free on Arabic Wikisource.
A crow watches from a tall tree as a hunter spreads his net and scatters grain. A ringdove and her flock land and the net drops over all of them. Each pulls alone and nothing moves; the ringdove says: all together. They rise with the net and the hunter gives up. They fly to the mouse Zirak, her friend, who gnaws the knots; she makes him free the others first and herself last. The crow, who followed, asks the mouse to be his friend too.
In the original: no deaths in this story in any version; the hunter is never hurt. The leader is female in the Arabic. The chapter continues with a long back-story told by the mouse, in which he is beaten and faints and a nested parable has a hunter, a deer, a boar and a wolf all die. Tell the dove story alone.
Same chapter, second half. The crow carries Zirak to a pond where a tortoise lives, and a frightened gazelle joins them. The gazelle is caught in a snare and Zirak chews him free; the slow tortoise, arriving last, is caught and tied by the hunter. The gazelle lies down as if wounded, the crow lands on him as if to eat, the hunter puts the tortoise down and follows the gazelle, who limps away a little at a time. Zirak frees the tortoise. The hunter comes back to cut ropes and nobody.
In the original: nobody is hurt. The hunter decides the land belongs to jinn or sorcerers; the Syriac version has him simply leave, so a retelling can too. The chapter's closing moral paragraph is not needed. The gazelle is male and the tortoise female in every source.
Told by a crow in the chapter of the Owls and the Crows. In a drought the elephants' ponds dry up and their scouts find a clear spring, the Moon Spring, in the land of the hares. The herd comes to drink and crushes the burrows. A hare, Fayrouz, climbs a hill on a moonlit night and tells the elephant king that the Moon has sent her: he has muddied the spring that carries his name. She leads him to the water and tells him to dip his trunk and wash his face; the reflection shakes, the king thinks the Moon is angry, says sorry and promises never to return.
In the original: in the Arabic, the Syriac and the Sanskrit versions the elephants trample many hares to death, and the elephant king bows down to the moon and repents. A retelling can keep the crushed burrows and running hares and remove the deaths, and turn the bow into an apology, as long as it keeps both halves of the ending: he is sorry, and he promises never to come back. The promise is the plot.
An old monkey king is driven out by a younger monkey and settles in a fig tree by the sea. He drops figs into the water; a turtle eats them and the two become friends, talking for hours. The turtle's wife, lonely at home, pretends to be ill and says only a monkey's heart will cure her. The turtle invites his friend home and carries him on his back; halfway, ashamed, he stops, and when the monkey asks why, he tells the truth. The monkey says he left his heart in the fig tree. The turtle swims back, the monkey climbs the tree and does not come down.
In the original: the heart is a prescription from doctors for a faked illness; it is never eaten or described. (The Pali version, where the crocodile's wife wants to eat it, is a different branch; keep it out.) The chapter has an inserted tale in which a donkey's heart and ears are eaten; skip it. The wife is the engine of the plot in every version and must stay; the neighbour who advises her can be folded into the wife's own idea. One page of real menace, resolved on the next by the monkey's wit.
We have verified the four safe fables above against three independent sources each. For the held-back tales we describe the endings as they appear in the tellings we have seen and have not finished the three-source check; it is the endings, not the details, that rule them out. The same filter gave us our Persian library: see Shahnameh for kids for how we handle Ferdowsi's battles.
Parts of it. The book was written for rulers and many fables end in a death or a betrayal. Four fables can be told to children aged 2–8 without a death: the Ringdove and the Net, the Four Friends, the Hare and the Moon Spring (with the deaths removed) and the Monkey and the Turtle (with care).
The Ringdove and the Net. Nobody is hurt in any version, it has a natural refrain when the doves rise together, and it ends with a new friendship.
Of the ones we checked: the Hare and the Moon Spring (hares trampled, in every version) and the inserted tales in the Ringdove and Monkey chapters. In the tellings we have seen, the Tortoise and the Two Ducks and the Lion and the Hare end in a death that is the point of the tale.
No. It is a book of secular animal fables. One scene, the elephant king bowing to the moon, treats the moon as a power; a retelling can turn the bow into an apology without changing what happened next.
The Arabic text was written by Ibn al-Muqaffa' in the eighth century from a Middle Persian version of Indian fables. It is public domain and the Arabic chapters are free on Arabic Wikisource; modern children's adaptations are copyrighted.
Not today. Azizan's stories are Persian. This page is a guide for parents choosing which fables to read in Arabic; the retellings are summaries in English.
Open Azizan — record a story for your childUpdated: 2026-11-03 · By Aida Fard
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